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Gothic Drama in the Romantic Age, 1760-1830
-- VIRTUAL CLASS-ROOMIl Teatro Gotico 1768-1830. Testi e Autori:CRONOLOGIA
Fonti bibliografiche prevalentemente utilizzate: |
| LEGENDA
DELLE SIGLE E DELLE ICONE:
DL = Drury Lane; CG = Covent Garden; H = Haymarket ; RCT = Royal Circus Theatre; TRH = Theatre Royal Haymarket ; RC = Royal Coburg |
clicca
sui nomi dei teatri qui sotto per visualizzare la scheda informativa
dal 'Concise Oxford Companion to the Theatre' Ed. Phyllis Hartnoll and
Peter Found, Oxford University Press, 1996
vedi anche The London Stage Project 1800-1900 by Joseph Donohueinfo > Drury Lane |

|
YEAR
|
AUTHOR
AND TITLE
|
FIRST
PERFORMANCE
|
FIRST
PUBLICATION
|
|
1756
|
Edinburgh
14/12/1756; CG 14/3/1757
|
1757
|
|
| 1765 | Hall
Hartson The Countess of Salisbury |
Dublin 2/5/1765 | 1767 |
|
1768
|
Glasgow
2/2001
new! |
1768
(“Strawberry Hill Press”), 1781, 1791
|
|
| drawing from Walpole Library | |||
| essay written by Paul Baines from Litencyc.com | |||
|
1771
|
Dorotea
Celisia (Mallet)
Almida |
DL
12/1/1771
|
1771
|
|
1772
|
DL
26/2/1772
|
1772
|
|
|
1774
|
DL
19/3/1774
|
1775
|
|
|
1777
|
CG
10/12/1777
|
1778
|
|
|
1779
|
DL
8/2/1779
|
1779
|
|
|
1779
|
CG
6/5/1779
|
1779
|
|
|
1779
|
H
31/7/1779
|
||
| abstract | |||
|
1781
|
CG
17/11/1781
|
1781
|
|
|
1783
|
CG
28/1/1783
|
1783
|
|
|
1784
|
H
18/8/1784
|
1784
|
|
|
1784
|
DL
2/12/1784
|
1784
|
|
|
1787
|
DL
14/4/1787
|
1787
|
|
|
1787
|
H
5/9/1787
|
1788
|
|
|
1788
|
DL
29/3/1788
|
1788
|
|
|
1789
|
James
Cobb
The Haunted Tower |
DL
24/11/1789
|
1790
|
|
1791
|
Francis
North
The Kentish Barons |
H
25/7/1791
|
1791
|
|
1792
(comp.) |
Unacted
|
1833
in James Boaden, Memoirs of Mrs Inchbald
|
|
| abstract | |||
| full-text | |||
|
1793
|
Anon.
The Castle of Otranto |
Newcastle,
11/1793
|
|
| 1793 | Mrs.
Burke
The Ward of the Castle |
CG 24/10/1793 | |
| abstract | |||
|
1794
|
James
Boaden
Fontainville Forest |
CG
25/3/1794
|
1794
|
| abstract | |||
|
1794
|
CG
28/5/1794
|
1794
|
|
|
1795
|
Miles
Peter Andrews
The Mysteries of the Castle |
CG
31/1/1795
|
1795
|
|
1795
|
CG
3/6/1795
|
1795
|
|
| 1796 | George
Colman
the Younger The Iron Chest |
DL 12/3/1796 | 1796 |
| 1796 | Sophia
Lee Almeyda |
DL 20/4/1796 | 1796 |
| full-text | |||
| abstract | |||
|
1797
|
H
15/8/1797
|
1797
|
|
|
1797
|
DL
14/12/1797
|
1796
|
|
|
1797
|
Charles
Farley
Raymond and Agnes (cfr./see Ranger) |
CG
16/3/1797
|
|
| 1797 | John
C. Cross
Julia of Louvain, or Monkish Cruelty |
RCT 15/5/1797 | 1809 |
|
1798
|
DL
16/1/1798
|
1798
|
|
|
1798
|
Unacted
|
1798
|
|
| abstract | |||
|
1798
|
DL
29/12/1798
|
1798
|
|
|
1798
|
Samuel
Birch
Albert and Adelaide (cfr./see Ranger); The Black Forest (cfr./see Evans) |
CG
11/12/1798
|
|
|
1799
|
DL
19/1/1799
|
1799
|
|
|
1799
|
Thomas
Sedgwick Whalley
The Castle of Montval |
DL
23/4/1799
|
1799
|
|
1799
|
Henry
Heartwell
The Castle of Sorrento |
H
17/7/1799
|
1799
|
|
1800
|
Lady
Sophia Burell
Theodora or, The Spanish Daughter |
Unacted
|
1800
|
|
1800
|
DL
29/4/1800
|
1798
|
|
|
1801
|
DL
25/4/1801
|
1801
|
|
|
1801
|
DL
4/5/1801
|
1801
|
|
| 1801 | John
C. Cross
Rinaldo Rinaldini or, The Secret Avengers |
RCT 6/4/1801 | 1809 |
|
1802
|
CG
15/1/1802
|
1801
|
|
|
1802
|
CG
13/11/1802
|
1802
|
|
| Read (pdf) or download (zip)Act I | |||
| postcard | |||
|
1803
|
CG
4/5/1803
|
1813
|
|
|
1803
|
Henry
Siddons
A Tale of Terror |
CG
12/5/1803
|
1803
|
|
1803
|
H
24/8/1803
|
1803
|
|
|
1804
|
William
Dimond
The Hunter of the Alps |
H
3/7/1804
|
1804
|
|
1805
|
Robert
William Elliston
The Venetian Outlaw |
DL
26/4/1805
|
1805
|
|
1805
|
CG
18/10/1805
|
1805
|
|
|
1806
|
William
Dimond
Adrian and Orrila or, a Mother’s Vengeance |
CG
15/11/1806
|
1806
|
|
1806
|
Thomas
J. Lynch
Alberto and Lauretta or, the Orphan of the Alps |
H
15/12/1806
|
|
|
1806
|
George
Manners
Edgar or, Northern Feuds |
CG
9/5/1806
|
1806
|
|
1807
|
John
Tobin
The Curfew |
DL
19/2/1807
|
1807
|
|
1807
|
DL
1/4/1807
|
||
|
1807
|
DL
30/4/1807
|
1806
|
|
|
1807
|
DL
16/12/1807
|
1807
|
|
| 1807 | James Kenney
Ella Rosenberg |
DL 19/11/1807 | 1807 |
|
1808
|
DL
1/6/1808
|
||
|
1808
|
CG
7/10/1808
|
||
|
1808
|
DL
1/12/1808
|
1809
|
|
|
1809
|
Norwich, 22/11/1809 |
||
| 1809 | William Dimond
The Foundling of the Forest |
TRH 10/7/1809 | 1809 |
|
1810
|
CG
8/2/1810
|
1810
|
|
|
1811
|
Edmund
St. John Eyre
The Lady of the Lake |
Edinburgh
15/1/1811
|
1811
|
|
1811
|
CG
29/4/1811
|
1811
|
|
|
1811
|
Lyceum,
1/8/1811
|
1811
|
|
|
1812
|
John
Lake
The House of Morville |
Lyceum
27/2/1812
|
1812
|
|
1812
|
Edmund
St. John Eyre
Look at Home (The Italian Husband) |
H
15/8/1812
|
1812
|
| 1812 | Jane M. Scott Asgard, the Demon Hunt or, Le Diable à la Chasse |
Sans Pareil, 17/11/1812 | |
|
1813
|
DL
23/1/1813
|
1813
|
|
| 1813 | Isaac Pocock
The Miller and His Men |
CG 21/10/1813 | 1813 |
|
1814
|
John
Kerr
The Wandering Boys or, the Castle of Olival |
CG
24/2/1814
|
|
|
1814
|
Samuel
James Arnold
The Woodman’s Hut |
DL
12/4/1814
|
1814
|
|
1816
|
DL
9/5/1816
|
1816
|
|
| read (pdf) or download (zip) Act II Scene I | |||
| 1816 | George
Gordon Byron Manfred |
CG 1834 | 06/06/1817 |
|
1816
|
William
Dimond
The Broken Sword |
CG
7/10/1816
|
1816
|
| 1816 | Jane M. Scott The Old Oak Chest or, the Smuggler’s Son and the Robber’s Daughter |
Sans Pareil 5/2/1816 | |
| abstract | |||
|
1817
|
DL
8/3/1817
|
1817
|
|
|
1817
|
William
Dimond
The Conquest of Taranto |
CG
15/4/1817
|
1817
|
|
1817
|
Norwich,
4/1817
|
||
|
1817
|
CG
3/5/1817
|
1817
|
|
|
1817
|
George
Soane
The Falls of Clyde |
DL
8/10/1817
|
|
|
1818
|
William
Dimond
The Bride of Abydos |
DL
5/2/1818
|
1818
|
|
1819
|
Anon.
The Bravo’s Son (cfr./see Evans) |
Bath,
3/1819
|
|
|
1819
|
CG
12/5/1819
|
1819
|
|
|
1819
|
Surrey
5/7/1819
|
||
|
1819
|
Surrey,
5/7/1819
|
||
|
1819
|
CG
10/2/1819
|
1819
|
|
| 1819 | P.
B. Shelley The Cenci |
Unacted | 1819 and 1821 |
| abstract | |||
|
1820
|
CG
3/5/1820
|
||
|
1820
|
Lyceum
/ English Opera House
9/8/1820 |
1820
|
|
|
1821
|
C.
E. Walker
Geraldi Duval, The Bandit of Bohemia |
DL 8/9/1821 |
|
| 1821 | John Kerr
Therese or, The Orphan of Geneva |
New Royal West London Theatre, ? 1821 | |
|
1822
|
John
William Calcraft
The Bride of Lammermoor |
Edinburgo
1/5/1822
|
1823
|
|
1823
|
Royal
Coburg, 7/1823
|
||
|
1823
|
Lyceum
/ English Opera House 28/7/1823
|
“Dick’s
Standard Plays”, 1865?
|
|
| 1823 | Henry M. Milner
Frankenstein or, the Demon of Switzerland |
Royal Coburg 18/8/1823 | |
| 1823 | William T. Moncrieff The Cataract of the Ganges or, the Rajah’s Daughter |
DL 27 ottobre 1823 | 1823 |
| 1823 | Mary Russell Mitford Julian |
CG 15 marzo 1823 | 1823 |
| 1826 | Henry M. Milner
Alonzo the Brave and the Fair Imogene or, the Spectre Bride |
RC 19/6/1826 | |
| 1827 | Edward Fitzball The Flying Dutchman or, the Phantom Ship |
Adelphi 1/1/1827
The Adelphi Theatre Calendar 1806-1900 |
|
| 1828 | Edward Fitzball The Earthquake or, the Spectre of the Nile |
Adelphi, 15/12/1828
The Adelphi Theatre Calendar 1806-1900 |
|
| 1829 | C. Pelham Thompson
The Shade or, Blood for Blood |
Surrey Theatre 22/8/1829 | |
| 1829 | A. V. Campbell
The Demon of the Desert or, the Murderer’s Sacrifice |
Sadler’s Wells Th. 29/6/1829 | |
| 1831 | John Baldwin Buckstone The Ice Witch or, The Frozen Hand |
DL 4 aprile 1831 | |
| - | |||
|
a
cura di Diego Saglia
|